Fieldcraft Photography Talks
One of the most important tools in wildlife photography is fieldcraft. Getting to know the subject, spending time watching, listening and looking, learning its behaviour, its habits and calls. In turn all of this will reward you with a far better chance of capturing images that show the subjects natural behaviour.
Regardless of the level of photographic skill your at you will need to learn fieldcraft to capture those images you see while among Mother Nature. With this though comes a great responsibility and integrity to your own work and your own foot print you’ll leave behind you when you leave the wildlife and go home.
Wildlife photography’s power rests on the belief that it represents an event that occurred naturally in the wild; something witnessed and recorded by the photographer with his camera at that given time.
Clever use of friendly animals, hot spots, bait and the per-arranged perches or props along with digital technology has forced everyone to re-evaluate and question the validity of images they see now.
Living animals have feelings, emotions not to dissimilar to our own, tap into that whatever the subject maybe and you will see the real and true beauty of wildlife unfold in front of you. Apply your passion and respect on top of fieldcraft and the images will come.
Many species of mammals and birds will allow you to approach them closely if you are careful and take your time, no fast movements and using the correct techniques.
Read the land for yourself, see what’s in front of you, in between you and the subject, use natural gully's and shapes to break up your approach.
Never make the mistake of walking directly towards your subject as the chances are the animal will have long gone.
All wild animals that have no or very little contact with humans are scared and fear man. They see and smell us the moment we enter their world of which they are designed for and we aren’t.
They have an in built fear of man and see us as a threat to their lives to put it bluntly. For me its how the person deals with that level of fear and stress using their fieldcraft that’s important.
It’s the way I work while capturing wild animals in their natural habitats while working very ethically alongside nature.
Composing the wildlife to show others how they go about their lives, where they live and conduct their lives. So correct fieldcraft is an integral part to the way I work as a wildlife photographer.
Being at one with nature is amazing and with time and effort and applying good fieldcraft everyone is capable of capturing those beautiful moments I am blessed with seeing each time I enter the natural world.
This talk will show you some amazing tips and images gained by using simple fieldcraft skills,
Talks are priced at £300 plus 0.40p per mile travel expenses from my Staffordshire home.