I have officially joined PhotoTraining4U today as one of their masters, covering my passion of wildlife photography. The films I’ll be shooting over the next 12 months with the team will follow me as I work the land, from dawn to dusk. I will be showing members how I work, photographing wild animals within their habitat, showing their different behaviours and characters within photography. Going through the camera settings and what skills I employ myself in order to try and work with the wildlife I encounter out in the field.

Their website offers quality training for all photographers at an affordable price. The site is based on streaming video that capture photographers at work. PhotoTraining4U is aimed at both professional and amateur photographers alike and is structured into bite size learning films, over 800 at present, each around 20 minutes.

I have always loved helping people throughout my life and when I first started in wildlife photography this carried through. I know how hard it is to get help or advice when you are first beginning to take photos of wildlife – What works? What bag to buy? Is this lens any good? What camera settings? the list goes on. I like to show others the techniques that I have taught myself, what works and what doesn’t while on the ground, in the theatre of wildlife.

In this first film we go through where and how my love of wildlife, nature and photography began, forming the great passion I have for the natural world today which is the foundation to my work and images. The beauty of photographing wildlife is that it is always changing and evolving, encountering the unexpected and in this environment the photographer must learn to work with these changing environmental conditions and behaviours. The result cannot always be predicted, which makes fieldcraft one of the most important skills you have to learn to be fully connected to wildlife.

I always try where possible to ‘work the land’ as I put it, and stay away from staged or set up shots preferring the more natural image, as seen or shot when I encountered the subject, not changing an animal’s behaviour to obtain an image is so important to my work. You just never know what will turn up working in this manner, so being ready to capture what you see is key through composition, fieldcraft and the correct and simple camera settings.

I am not from the techie camera settings background, glued to the histogram strangled with numerous settings and different buttons and functions.  I show simply and real techniques in camera that work.  I know they work because they are what I use within my own work. An image should come from the heart via the human eye, the camera only captures what the person behind it sees most of the time. This interview in February’s Practical Photography illustrates perfectly how I work and where my true love and passion comes from for wildlife, in this case waders and spring tides in Norfolk. Click here to see the interview in PDF format or you can buy the magazine which is out now.

It’s important to me that in every image I take it represents an event that occurred in the wild, something that I witnessed and recorded with my camera. My skill lies in interpreting and presenting this in a way that invokes the beauty, mood and emotion of that special moment I captured.

The first interview on their site can be viewed here. If you’d like to join this site and see the amazing advice, videos, and help from many different masters not just myself then there is £100 pounds off the marked price of £229 per year.  Please quote JONES which is the discount code. This then will give full access to the site and all the help and advice. I will be filming several short films in the wild over the next 12 months, going through different advice and help that will offer you the best chances to capture those beautiful images of wildlife you want, at the same time learning more about the habitats and behaviours of the subjects your watching.

I really do hope the films and advice I will be offering here will be helpful, twinned with the help I have always given on my blog, facebook and twitter pages, which all form a strong base in which to show the beauty of wildlife and help and inspire you all into seeing just how beautiful wildlife is. Its been a great start to the year for myself, with a full page image in the BBC Wildlife magazine, a 6 page interview and images in Practical Photography, click here to see the article.

Thanks to all the people who have booked onto my 2012 photo tours and workshops. My India trip is now full, this will be the third year in a row now I’ve visited this magical place in search of one of the most beautiful animals on the planet, the Tiger. My Magical Mull June trip is full with a few places left for my October trip. I do have places left for my Madagascar trip which you can view here, Masia Mara trip, view the itinerary here and a few others. I’m really looking forward to 2012 and all the trips, plans and filming I have got in store. I hope you all make the best of your time within nature and capture those wonderful moments you witness yourselves, good luck.

And just before I go wanted to say there were some great winning images in the WWT photo comp for autumn, I had two category’s to judge which was nice with a very good standard all round so well done to all that entered. I have been asked back to judge the remaining 3 rounds where the overall winner will be announced later in the year, so good luck to all those that enter.

A New year and new life, with 2012 a few days old now it won’t be long before the air is filled with Spring bird song and new life, a real favourite time of year for me. You can just about witness anything by wondering around anywhere during the season of spring. Between then and now I am hopeful for a bit of winter weather and maybe some snow as I will be concentrating my efforts on Mountain Hares, Foxes and Owls during the next couple of months.

I have also been spending a lot of time with the adorable Red Squirrels, watching, photographing them and generally enjoying their unique characters over the last several weeks. Capturing a little of their behaviour and antics as they comb the forest floor looking for food and other food items they’ve stashed some weeks previously. Over the time I have watched these mammals I’ve become aware that it’s all about the size of your ‘ear tufts’ that gets you noticed, way before any introductions have taken place between the two sexes.

There is also a wide range of colouring between some of the squirrels at this place, ranging from really dark red to an almost light, red- ginger colour. The lighter coloured Red Squirrel seems to even detect or know he’s different in colour and seem more jumpy and whenever he appears the dark ones try to run him off, getting him away from the area in which the other squirrels seem to be.

It’s funny at times, as their seems some outward jealousy displayed, but quite cruel to see him have this amount of unwanted attention from those darker and more self aware Red Squirrels sharing this same habitat. But by just watching as I do, a whole community comes alive in front of you, animals living their lives right in front of you and most of the time these behaviours are just not seen.

I’ve watched and witnessed Magpies, the ever opportunistic bird watching the squirrels find food and bury the food, only to be dug up once the squirrel had gone. Here as you can see this Red Squirrel buries his stash while being watched by this Magpie who has other ideas about that food, again how cruel nature can be at times, witnessed by just spend time simply watching.

I made the best use of the light and cover, which  slightly hid my presence from the shy squirrels, the result was a more relaxed and less jumpy subject, this approach allowed me some wonderful views. Often not knowing where or when they will turn up, you have seconds to compose and take your shot before they’ve gone. I always use the natural habitat and vegetation that is around, which the subject is naturally using of his own free will. This makes for a more “as seen” image which I feel is so important in today’s wildlife images.

The above image was down to luck and beautiful morning light as I captured this squirrel looking into the forest with the morning rays of light illuminating his beautiful coat. The image below captures this squirrel using this small branches to come from the tree canopy down to the forest floor. I used the two trees left and right to conceal myself, shooting through the middle to give this out of focus frame to the image. Such wonderful and beautiful mammals to spend time with.

There will be more Red Squirrel moments captured, fingers crossed, throughout 2012 I hope.  I don’t like to use the word project as its too formal and as a wildlife photographer I never put a time limit on photographing a certain subject as its never ending for me. But I can guarantee I will be spending as much time as possible photographing these very endearing mammals.  Over the next few weeks I have a number of workshops, Mountain Hares, Red grouse and Dippers, so I look forward to welcoming my first clients of 2012.

In February’s issue of the Practical Photography magazine there is an interview with myself covering my obsession with waders. In the interview I reveal the reasons behind my passion for these birds and these amazing Spring Tides in Norfolk, and I also discuss the field craft techniques, capturing these amazing events in natures calendar. I touch on what wildlife photography means to me and how I hope to inspire people to see the beautiful world of wildlife which is everywhere. Click here to see the interview in.

As the year draws to an end now and my favourite time of year is just around the corner; Christmas, I would just like to wish you all a very Merry Christmas. Many thanks to all the wonderful people I have met this year on my workshops and trips and I do really hope I have helped you all, inspired you all in seeing the wonderful and amazing world of wildlife around us at the same time getting the very best from your kit to use on the ground in the simplest of ways. I look forward to welcoming all my clients booked on my many trips for next year and one to ones.

With all my Christmas shopping done early this year I spent the least amount of time within the urban jungle I live in, fighting my way through this habitat in which I am least equipped for, I just have the last dash before Christmas to get the cream for my trifle, which I do each year, a family recipe from my late mum which I still make each Christmas as a form of comfort in more ways than one.

Having done this all early this has allowed me more time to carry on my work with the amazing and graceful Short eared Owls on the north west coast of the UK. Having spent many days and hours at these owl sites I have got use to alot of their patterns, their larders in which they store their catch while the going is good. They are beautiful birds and often I have this place to myself as I watch for the slightest movement on the ground.  They are normally late risers and their liking for a lie in sometimes catches you off guard and one minute nothing.

Then once you make a cup of tea or do something else and look up there before you is the flapping of their wings and the faint call or hiss as they awaken and start gliding through the air with those large wings, a mixture of beats and flaps followed by a graceful soar then this routine is repeated as they hunt. I am always greatly touched upon seeing wildlife go about their lives around me and this spurs me on to hide away more, not wanting to break that trust you build up over time.

These images I have been processing took me back to my recent time spent with these owls, where I relived every moment as I was processing each special moment captured. Some I shot into the natural light, some I under-exposed and over-exposed creating a hi key effect which I love. I also used the blurring effect to create movement with some, this gives the image a sense of movement and when shot in portrait composition it gives a dramatic effect which brings my creative side to the surface. You pick up the subject as early as possible then with your camera and lens firmly attached to your tripod follow or pan keeping your focus on the subject the best you can.

Hidden away having watched these owls now for some time I got alot of information about their ways and patterns and I chose to hide away, low to the ground hidden and camouflaged with the wind in my face to take any noise away from the approaching owl, no fast movements, nothing that would make these owls jump or be scared in his pursuit of food.

I saw him coming towards me so here I waited, waited and then once he was so close he almost filled my viewfinder and I pressed my shutter capturing several amazing close ups, this is one I love with the sense of movement captured in the wings by the slow shutter speed while I nailed the focus on his face, giving that sense of impending movement to the image. Every moment I spend with nature is special to me and everyday my life is enriched with its beauty and time spent with these owls of late was no exception, a wonderful, close, special moment with this owl as he went about his business and I watched and marvelled at his skills in hunting and catching prey, his flight patterns, his calls, his ability to fly and turn without warning, just amazing!

For me wildlife photography is about using your skills and knowledge of wildlife together in the pursuit of capturing an image from the wild where nothing has been changed by man. As a professional I think I have a duty of care to not only the subject but also to the general public to show an image as seen on the ground. This approach is the whole foundation to my work. In an age when there are lovely images everywhere you look I think images should be judged today on the amount of effort and knowledge and fieldcraft used in order to capture an image as personally I don’t like anything that is to contrived or set up where the animal is made to do something in order to get an image almost like a master and servant, where if you do something you get a prize for that, it has to be unplanned, unscripted and true for me.

My passion for wildlife goes alot deeper than just an image, I watch, study, listen and spend time in watching their behaviour, trying to work with the animals and sometimes when I get an image I feel I have cheated the subject by using my skills in capturing that given image by laying in weight having studied them I hope that makes sense. When I watch an animal I have that connection and I shoot with my heart and eye and I build that trust and care for the subject and when I have taken the image and captured that priceless moment I worry if I have betrayed that trust built up through patience, fieldcraft and care.

I care about every image I take and what I do, I love wildlife and nature means the world to me, it has helped me in life and instilled a great peace from an early age, nature helps in many ways, its beauty brings joy in so many ways and its presence in people lives helps them to live and breathe and at this special time of year it’s even more important I feel to embrace what we have around us all. A few of my favorite images from the last twelve months are in the following slideshow, showing the true beauty of wildlife.

One of my Barn Owl images graces January’s issue of the much respected BBC Wildlife magazine which is on sale now, its always lovely to see your work in print. I spent two months watching and photographing this male Barn Owl during one of the countries coldest spells of weather for decades. At times it was hard to watch as he was hunting in all weathers and times of the day in a desperate attempt to feed in order to survive, how cruel nature can be to its own sometimes. he did survive though and all ending well for this fellow. Thank you to Wanda for requesting the image and Sophie Stafford, the editor, for having this image in your magazine.

And just before I go I wanted to just update you all as I go live in the new year as PhotoTraining4U’s Wildlife Master. I will be doing a series of short films following me through some of my work in the field, tips and advice when working with animals in the wild and much more. You will see how I work, get a chance to ask questions relating to my work or questions, advice and help in regard to your own work. If you wish to join then quote the following affiliate code: 7816 when joining. Click on the small icon above and this will take you to this site which is an online site for all your photography needs.

It just leaves me to say I hope you all have a wonderful Christmas and new year and I wish you all the best for 2012, many thanks.

Winter announced its arrival recently bringing to an end one of the warmest autumns since records began with gales, icy winds and snow in parts of the UK. While the seasons change from autumn into winter there seems to have been an invasion of Short-eared Owls to various areas around the UK. These birds come down from the moorland and higher ground during our winter months to spend their time at sea level before departing back to the higher breeding grounds come February and March. The numbers of this most striking of owls has been up on last years and at this rate looks set to match the brilliant numbers of 2009.

Many of these birds are being seen across the whole country at present indicating a fantastic year for their main food source of voles and small rodents. One of the many things that is good about these beautiful birds is that they hunt in mainly daylight, particularly from mid-afternoon onwards and they can stay in an area through the winter months providing the voles and other small rodents in which they feed mainly on remain at a good level.

This year has been a bumper year for voles with the warming temperatures making it ideal conditions for these small mammals to breed. Birds are coming from the continent also to take advantage of the plentiful food source experts have recorded. Over the last couple of weeks I have visited several places of which I have photographed these owls in the past and as mentioned 2009 for me was one of the best years, but this year may just beat that as numbers and sightings continue to rise each week.

Bright yellow eyes that look at first glance as though they are frowning if they look at your directly.  With their pale faces acting to enhance their most striking of features, those bright eyes. Hidden away I watch and scan the marshland and rough grazing grounds that these owls love to feed and live on and being a ground dwelling bird they blend in so well with their plumage colours.

Their feathers a mixture of bold bands and rings forming a wonderful pattern that renders them invisible once they are on the ground. Sometimes you hear them before you see them, a loud short “bark” like call echoes across the area. They are normally late risers, starting to hunt from lunchtime onwards but I have noticed after a period of wet weather they can come out from first light, as they need to feed and recover lost time and build up those supplies of food that will see them through the cold weather.

Once in the air you witness their broad, stiff wings flap with great purpose almost in a slow motion fashion, covering the ground well with each rise and fall of their wing beats. Once they leave the sky and come down low you almost lose them among the vegetation colours, until you see their white under wings as they pass by. The distinctive black bands and bold barred tail standing proudly as they glide in between their wing beats.

I have had mixed fortune with the weather so far, after one of the mildest autumns since records begin the weather has changed getting colder with windy and wet weather a lot of time, with the odd break in the cloud sometimes, warming the areas in which these owls are at present. In weather that all owls dislike and choose not to hunt in, survival is by feeding on their larder of food which they stock pile when the goings good and keeps they going until hopefully the weather breaks. If the weather doesn’t change I have known Short-eared Owls to leave an area, vanish to warmer climets way before the late February get away, back to their breeding grounds.

Their bright yellow eyes are surrounded by smudged black makeup, set in a large round, disc like shaped face which is stunning to the eye as they glare at you before flying past. They always seem so startled by the world around them as I watch them hunt or perhaps that’s defiance, but they are full of character and self belief and watching them hunting and comb an area for prey is a magical experience to witness.

They fly warily around each other, closing and drifting apart, rising and falling, slowly spiraling in wide circles, as they drift across the marshland. Notoriously during the breeding seasons they are very territorial and fiercely defensive of their area. But during the winter months as they glide around our countryside almost in a nomadic manner are very tolerant of each other.

I am hoping the cold weather of the last two winters doesn’t happen this year as along with the Barn Owl many Short eared Owls died due to being unable to feed and break through the frozen ground that at times was covered in snow for days even weeks at a time making the whole process of finding food a real contest of pure survival.

I will be concentrating my efforts in the sites I have known for many years over the next several months and I hope to capture a few more images and spend some time filming and watching these beautiful owls. I will update my blog on how I get on during that time and fingers crossed the weather doesn’t betray them, forcing them to move on to other areas.

WWT Photography Competition 2011-2012

I am delighted to have been asked for a second year to become one of the regional judges in this brilliant photography competition. Over the last week I have judged two categories which I was assigned from the Martin Mere wetland centre. Choosing my selection from the autumn heat which then goes onto the final. When the competition closes on 31 August 2012 all regional heat winners will go through to the grand national final to be held in autumn 2012. Then the Portfolio Photographer will be chosen and awarded the grand prize of a trip to Antarctica.

The winter heat is now open until the 29^th February 2012 so click on the following link for more information and details of how to enter this brilliant competition. I visit Martin Mere quite a lot, and during the winter months they have the beautiful Whooper and Bewick Swans as visitors, as they spend their winter months with us before heading back north to their summer breeding grounds. The image above was taken at Martin Mere showing three Whooper Swans flying in against the cold winter sky on a frosty day.The very best of  luck to everyone that enters.

Over the last week I have revisited my Red Squirrel site in the North west coastal region of the UK. I managed to capture these most adorable mammals in better light, having got use to their behaviour a little which in turn makes for a better image. This whole area is managed by the wildlife trust who keep an eye on the population of Red Squirrels that were almost wiped out 3 years ago. Numbers are slowly increasing with the hard work and dedication of the local trust and volunteers. Every living animal for me has their own spirit, their own character and I really try to capture that within my work. Unplanned, unscripted in its truest form, watching wildlife and capturing those briefest of moments when you witness their unique behaviour.  This is priceless.

The story with these guys is that they are really shy here among this pine forest habitat and not as bold as their grey counterparts, this though is the red’s undoing as the introduced greys are a more formidable forager of food and adapt to their environment far easier than the indigenous reds. Also the pox virus brought to these shores by the greys is wiping these little cute fellows out and experts warn that in as little as 20 years Red Squirrels could become extinct which would be a very sad day indeed.

A little supplementary food is put out by the trust but mostly these red’s forage for food on the forest floors, your first indication they are around is the sudden claw sounds as they chase each other around the tree trunks. Once on the ground though they are quick, real quick, darting all over the place and  you have to follow and focus almost at the same time which was a little challenging to say the least as you just don’t know where they will turn up.

I love to just watch wildlife, build a picture of what’s happening as all living animals have routines and patterns they stick to, creatures of habit, the way they move, walk or feed and congregate with others etc. So by watching these squirrels’ patterns when ascending from the trees to the forest floor to feed I learned a great deal from them. I’d focus in one given area keeping down on my own movements and noise that may just spook these fellows enough for them to disappear which is never my intention when working in the field with any living creature.

Once I’d heard the rustle of leaves that littered the ground I stayed still and lay flat on the ground to get that important and intermit view point with them.  No rain had fallen so they were dry and light which worked well for my hearing as you’d hear them coming, but bad for the squirrels as each movement from them was an open invitation to view them straight away as the rustle give their position away instantly.  I became aware the squirrels knew this and after a few paces they seemed to momentarily pause, dead still, then move again.

At first I tried to follow them through my viewfinder but found that they were just too quick and expert at giving me the brush off. Then I changed tact, focused in on an area I kept seeing them come to, it seemed a cross way veering off to many different paths they had to various areas where they stashed their bounty for another day. I also saw them rubbing their bodies along the fallen log in this area which the trust had left to rot and give back its riches to the soil.

The problem was if I moved my lens or camera as they approached they’d go before I could say hello, so I listened, looked left and right once the first rustle was picked up by myself. A light and not as heavy noise meant they were some distance away, louder and firmly noises meant they were close as my eye was pinned to my view finder with no time to swing a long lens around. I put all my eggs in one basket as they say and I had several wonderful close experiences with these beautiful mammals that crossed over an area to my front where they were picking and feeding on fungi and other food bits in and around this old fallen tree that was slowly being claimed back by nature.

I pre focused in this area and when he came close, I slowly used the large manual focus ring on my lens, which gave away no noise, shooting in quiet mode in camera, this reduces the noise as much as possible each time the shutter is pressed. Slowly I began, 1 shot, 2 shot, pause, as I watched for an indication he’s disturbed by me, if so I stop, if he wasn’t disturbed I continue with the same slow pace.  This approach works for me always remembering that these are wild animals with a healthy dislike for man. You have to work with them and in their environment and as a wildlife photographer I have a duty of care to the subject not to scare him into next week just for an image.

He routed around and fed on whatever he could find then went as quick as he’d come, it was wonderful to see these adorable animals so close and trusting towards me,  where he let me into his life briefly and where I was able to capture his spirit and sole as a living creature with these images. I mention this such alot on my blog but at a time when wildlife is really under pressure you have to put the welfare of the subject first before any photograph is taken.

Due care and thought for the animals well being should be one of if not the most important consideration before you head out anywhere to photograph whichever subject you are taking. With camera equipment and the need to capture images of wildlife there comes a great responsibility with it, so please be mindful of this when trying to get an image of a wild animal and watch for signs of stress and disturbance.  All wild animals have an inherent fear of man, place yourself in their circle of fear and you will be adding to that animals stress.

In this month’s Birdwatching magazine one of my wader images can been seen in their December edition. The image shows thousands of waders taking off while others waiting on the ground before joining them taken on a Spring tide in Norfolk. A bigger version can be seen on the 500px site by clicking on this link. It’s a wonderful place to display your images and somewhere I’d recommend having just joined.

The Spring tides for this year have now finished after this weekends brilliant showing, the next ones I have free are from February 2012 onwards so if you wish to know more information about these Spring tide days I run or to book one then just send me an email here The image above was taken on one of the last few Spring tides this weekend with clients, showing a Sanderling feeding with the tide coming in, replenishing the beach he was feeding on. Thank you to all those who have booked onto my Spring tide days and I look forward to the next ones in 2012.

And just a quick reminder Practical Photography magazine will be displaying a portfolio of my Spring tide images in their issue out on the 29th December 2011 so look out for that, many thanks.

In October I ran my “Beauty of Wildlife” workshop in conjunction with Calumet Photographic, one of the leading photographic suppliers in the UK. It was a great success with a full contingent of clients who really enjoyed the two days. Two more of these workshops are now available one in late January 2012 and one in March 2012 with more workshops planned  with this leading camera supplier company throughout the year and at diffent places around the UK.

The Autumn issue of Calumet Photographic magazine arrived today and there’s a nice little piece in their about my workshop, info and dates etc, thank you to the guys that attended and I hope you are all using what I showed you still

The first day will be based at their Manchester branch, where we I will go through camera settings, compositions, setting up of each person’s camera and sharing/passing on my knowledge in order to improve individuals photography. I will also show you some slideshows, touching on the various different skills needed for wildlife photography, use of light, what to look out for, fieldcraft and lots more.

Tea and Coffee will be provided during the day and I’ll answer any questions in regard to wildlife photography that you may have in order to improve or move along your own existing skill level. I demonstrate to everyone that attends my one to ones and workshops what works and cut through all the ‘minefield’ of what’s best and what should I use, which mode etc that can drag people down.

I will replace all of that with a usable workflow that works on the ground, the same as I use, with no secrets, no hidden settings. Once clients have seen this I feel it gives them a more relaxed approach to their own work, knowing full well they weren’t really doing a lot wrong in the first place. I am self taught with over 30 years of knowledge of wildlife, which is the real key to wildlife photography.

The second day, unlike the first which will be classroom based will be in the beautiful Peak District, as a wildlife photographer the great outdoors is my office, a place in which I capture the beautiful images I am blessed in seeing. The beauty of photographing wildlife is that it is always changing and evolving, encountering the unexpected. In this environment the photographer must learn to work with these changing environmental conditions and behaviours, and the result cannot always be predicted.

My images represent an event that occurred in the wild,something that I witnessed and recorded with my camera. Learning to get close to wildlife without disturbing the life of the animal is the key to my work and this approach enables me to get close enough to capture the animal’s beauty and behaviour which both feature strongly in my style of photography, showing a wild animal within their natural habitat being the foundation to my work today.

Fieldcraft is the most important tool in a wildlife photographer’s box I believe, because if the animal is not use to human contact, isn’t tame or use to you putting food out, then they will be very difficult to get close to in the absence of hides. Learning fieldcraft skills will improve your photography, as a subject going about its life, free from human contact always makes for the best photographs.

I feel you cannot learn real and true fieldcraft from anything other than a wild animal, in the wild. I have never worked with captive or tame animals as their behaviour is too contrived for me and is as a result of contact with man. I will show you simple and key elements to fieldcraft on the second day where you’ll greatly benefit from the wonderful wildness that is the moors of the Peak District and its wildlife.

Many clients who attend my workshops all go away with a better understanding of photographing wildlife, where it’s not about what you have but how to best use your equipment to obtain those lovely images you see with your eyes. Things change very quickly in the wild and I will give you ideas and a workflow that empowers you to capture and improve your own work. Seeing an image takes time, this skill can be learned by watching your subject and understanding its behaviour.

We will start early to capture the beautiful wildlife as the sun rises against the backdrop of the Peak District which will make for some amazing images. During our day in the Peak District we will be concentrating our efforts on Red Grouse among the autumn/winter landscapes and Mountain Hares, the only place outside of Scotland where there is a healthy population of these mammals.

We will also have the opportunity to see Short Eared Owls and many other birds which stay in this area all year, and don’t migrant like alot of other birds. You will need to provide your own photographic equipment
or alternatively you can hire equipment from Calumet Photographic, Manchester and we will meet in Buxton train station car park. It will be a great day, where you will learn alot more about the ‘wild’ in wildlife photography, capturing images that will be around you, gaining subject awareness which again is key to capturing a wild animal’s character and behaviour.

So if you would like to book onto this wildlife workshop then please click on this link, which will take you to Calumets website. If you would like to hire any camera equipment for the day of which I will help and go through with you on the first day then again just ask at your time of booking. I look forward to seeing you in 2012 and should you have any questions or queries don’t hesitate to contact myself or Calumet Photographic Manchester.

Wildlife around the globe is in trouble, some species are on the brink of extinction and many others are threatened daily with habitat destruction and loss. The most endangered ones would have been long gone had it not been for a helping hand by humans.  Consigned to the history books with a stuffed version in museums to show us and remind us of what we lost. Without the hard work by the many wonderful people involved in helping to keep so many different species alive today, the worlds wildlife would be in an even worse mess than it is now.

Red Squirrels could be extinct in Britain within 20 years according to a recent review of some of the UK’s mammals,Scotish wildcats, hedgehogs and mountain hares are also at risk the report suggests. That report by Oxford University’s wildlife conservation research unit warns that mammals are being hard hit by intensification of farming along with other human activity. Damage and the loss of habitat is affecting not just the wildlife but also the rural economy because it creates a countryside devoid of wildlife, discouraging walkers, birdwatchers and many others whose money should be going into this economy. One of the biggest examples of this is that of the Red Squirrel, which was widespread throughout the UK until the introduction of the Grey Squirrel from America in the 1850′s.

This visitor to our shores is not only a more effective forger of food than the red but it brings with it the lethal disease called squirrel pox virus. The greys have colonised most of the UK now with the reds only really hanging on in Scotland but even there the virus-infected greys are moving into those areas. There are a few places south of the border of Scotland where you may see these adorable mammals, where red squirrel colonies are doing better thanks to a helping hand from wildlife trusts, volunteers and others concerned with the species not completely dying out from our shores as predicted by this report in around 20 years time which makes for shocking reading.

One place in England where numbers seem to be on the up is Formby, managed by the National Trust. Formby is well known as a special place to see red squirrels and numbers have recovered well following the deadly outbreak of squirrel pox virus in 2008. My last visit to this place was on the 18th December 2008, I remember it well as I had just taken delivery of my prime lens after using the older version of the Sigma 50-500mm lens. I wanted to put the lens through its places and chose Formby.

I decided to visit Formby hoping to see and photograph these cute and adorable mammals. What I didn’t know was that Formby had just recorded their worst year, with almost 80% of the reds having caught this dreaded pox and dying. When I got there I walked around the woodland walks most of the day and never saw one squirrel all day which was really odd as the place had been recommend to me and all of the research I’d done online suggested the place was full of red squirrels. Later that day I saw a warden and he explained to me the pox disease had almost wiped out the whole red squirrel population there and you would be very lucky to see one today which was really bad to hear.

I’d not been back since that day in 2008, until this week after researching some facts and figures and it seems that things are improving through the hard work and helping hand from the wildlife trust, and many other staff involved in the research and help to save these reds. The signs are that 2011 has been a good breeding year and Formby anticipate the results of the autumn monitoring will show that red squirrel population has recovered to over 60% of the pre squirrel pox level which is amazing and a great success story.

A few squirrel feeders were introduced in one particular place within Formby to give visitors a better chance of getting close views of red squirrels. They have been reintroducing in a controlled way so that the staff there can monitor the situation and avoid the reds becoming too dependent on supplementary food, maintaining their wild ways and feeding patterns. Many of the smaller woodland birds there also benefit from the feeders with the onset of the colder weather while larger birds like pigeons and crows are excluded by the design of the feeders.

During my time there this week I found the squirrels to be extremely shy, they would come down from the tops of the trees, their crawls scratching on the bark letting you know they were on the move. They’d come to the feeders and they’d grab something, run down the tree trunk and off to find a quiet place in which to bury their bounty for another day. Once the food had been consumed in the few feeders they’d concentrate their efforts on picking up the left over’s which had fallen from those feeders and littered the forest floor.

In a flash one or more would come, in a ‘grab and go’ style and vanish off into the distance to again bury their catch and return. Often they would chase each other around making for a really comical spectacle, once that stopped they’d get on with the stashing of food.

I used the natural light that was piecing through the tree canopy and often the squirrels would appear out of the dark areas and then disappear back into the shadows the next, it created a lovely effect though where I tried using the natural trees and branches they were using to compose my images on and around. Most of the time though the squirrels were on the forest floor making for that very intermit view point where you are level with the subjects eyes. I had a wonderful time and it was great to see these fellows doing so well with all the work and care in looking after their welfare by the trust.

If you’re planning a visit to Formby you have a much better chance of seeing a red squirrels on the woodland trails that form part of this area. The trust asks people to stay on these paths, don’t via off them or climb over the fences and don’t bring you own food as the wardens put a little bit of food out for them to go along with their natural diet. The reds spend much time feeding on natural foods like pine cones which are much better for them, and please respect these animals by not placing them under any stress in order for you to get an image, sit, wait and watch and you’ll get to see their patterns and bombing raids as I call them, ‘grab and go’ moves to feed then disappear back into the pine woodlands.

The threat of further squirrel pox outbreaks remains and squirrel workers are actively involved with residents in the local area in an attempt to contain outbreaks of the disease should it reoccur. Anyone seeing a grey squirrel or a sick red squirrel in the Formby area should report it to the National Trust rangers there. This guidance is laid down but the wildlife trust to protect these at risk animals. I will be going back to carry on capturing these adorable mammals and will update my blog to how they are doing in the future.

Several of my wader images from the amazing springtides in Norfolk made the papers this week, showing the beauty of this event. Click here to see The Mail online and here for the Daily Telegraph image of the day. And I had the image below printed in Wednesdays paper where it covered two pages and looked stunning with the details and colours of thousands of waders taking off.

I have put together some images that show the true beauty of this amazing event that happens in Norfolk throughout the year in this slideshow below.

Nature offers you in most cases just the briefest of encounters in which to witness a moment you see with your eyes and if you are lucky enough with your camera, so that you can show others that special encounter you shared with nature. Nowhere is this more apparent than the beautiful island of Mull. The island lies on the west coast of Scotland and has a breathtaking coastline of 300 miles. The climate is a mixture of snow, rain and sunshine, and from the moment you step onto this beautiful island the wildlife is everywhere, and the scenery is stunning. With Mull’s famous own micro-climate the weather changes from clear skies to angry skies in a moment, pouring rain gives into calm, windless conditions, light you dream of as a photographer is replaced with almost zero visibility.

Having just returned from 4 days there,  I again feel blessed with some of the close encounters I witnessed.  A lot of the time the clouds afforded me no or little light, then in an instant rays of sunlight would pierce through momentarily lighting up this amazing landscape, giving the land beneath the clouds life.

The rain at times was heavy giving you poor visibility, so we just impravised and used our vehicle as a hide in order to still capture the wildlife that was around.  Because of the vast size of Mull and the lochs, sometimes the best option for seeing the wildlife here is to drive around on the off chance you may see a silhouette of an Otter feeding or a certain bird feeding and so fourth.

I do love to work and stay in the same area.  Sitting in a place that you become so tuned into, where every plop, every noise, every dive from a bird you hear, you immediately look with great excitement to see what made that noise.  This for me is one of the best things about wildlife photography, the peacefulness of waiting, the minutes turning into hours, all the time waiting for just that briefest of encounters in which you get a view into a wild animals world, where the camera enables you to capture what you saw, capturing the beauty of the subject, preserving that moment forever.

During those 4 days the weather did break occasionally, affording me a little more light which in turn gave me more shutter speed should the wildlife show, and in a lot of cases the wildlife showed up during those briefest of spells to feed and clean, and in some cases have a nosy at me clicking away from the mobile hide in which the vehicle had turned into.

The camera settings and key drills I go through during those quiet times really pay off when nature spontaneously turns up, with an almost automatic routine of checking the shutter speed, iso levels and moving the focus spot etc.  The hard part is to then second guess where your subject will go, as they will have an acute fear of man, giving you only seconds to take the shot.

There were some great encounters on the island, some close, others at a distance, but never the less still wonderful to witness. During my stay it was a case of juggling your time along with the weather. Once the cloud had broken and warmed the landscape the island was awash with colours and its beauty came alive making it a pure joy just watching for Otters, Eagles and the many other species of wildlife that live on Mull. One evening a female Hen Harrier chose to brave the weather and started hunting over the marshland only to disappear as quickly as she’d showed up.

My knowledge of Mull is something I rely on most of the time, the places I’ve found or discovered over many hours and days during my 2-3 trips to Mull each year.But often or not wildlife can pop up at anytime and those places I’ve worked at before were a little tougher in the weather during my time there.  While waiting for your chosen subject or wildlife to show there is always a shot to be taken as I say. This arty,slow shutter speed image focusing at the heart of a pine forest, where the autumn leaves just offer a splash of colour to the image.

During high tides and when they start to retreat is a good time to watch for Otters, where in most cases unlike their counterparts they live in the UK’s rivers, these European Otters can been seen during day light hours, hunting, sleeping and generally lazing around. As with all wildlife though, great care must always be exercised when approaching wildlife in order to capture that briefest of encounter.  I prefer to get into place under the cover of darkness and wait, on the off chance that my fieldcraft skills and knowledge of a certain areas pay off and the subject may just give me that brief glimpse into their life.

I’d had a fleeting encounter of a female Otter entering the water not far from her holt and as the clouds broke I chose to spend sometime there hoping she’d come back, but she didn’t.  The tide times on Mull were early in the morning, so on the next day, after that brief encounter captured above, I returned to the same place where I’ve had some good luck during my past visits. Although nothing is ever guaranteed with wildlife, and she nor her young showed the following day, and with the weather changing from overcast to rainfall I was confined to the vehicle for the rest of that day, searching in vain for Otters and other wildlife.

And it always seems customary for me while waiting for a subject to turn up,  a Stonechat always turns up in a lot of cases, gaining confidence and coming closer, in an almost curious manner to see what I am, which always makes me laugh.  They are a stunning looking bird and very inquisitive in nature, with care and respect, and no fast movements from you, they’ll come quite close to you, sussing you out, whether you are friendly or not, or maybe this is just how I perceive this during the long hours of waiting, who knows.

I was hoping to see some if not all of the deer rut on Mull, but I feel I was just a little late this year. I never witnessed any stags at all, which would suggest that they were all off feeding and building up fat reserves in order to survive the impending cold weather, as during the rut stags dont feed, instead they protect their ladies and territory from would be opportunists. After the physicality of the rut they go off to feed, and as there was no sign of any majestic stags roaming around, I was just to late.

I did have some nice encounters with female Red Deers though and the shot of the trip were these four females all looking at me.  I’ve called the image “game over” as literally it was game over as they’d spotted me and then moved but not before I got a couple of shots.  the shot below being the better of those, capturing that moment and briefest of encounters when they saw me, heard me and knew I was there, nice try.

Amazing to see them in this beautiful sighting of Mull, so close and in stunning condition.  I managed a few other sightings most of which were taken in dense woodlands where they love to hide, making it a harder prospect to photograph. This image below was taken in the early morning, showing such habitat.  Soon after she disappeared, as though she was never there.

On the last day I had one last steady drive around the island.  And among the choppy waters on that mornings hide tide was a dog Otter feeding and working the shore.  I left the vehicle and tried to position myself where I thought the Otter would come past. I managed to capture just one image from the most briefest of encounters on that wet and faithful morning.  The Otter was working the coastline looking for crabs and other food items.

Here he took a short cut over the coastal rocks instead of swimming around.  I just got him with this image, a blink of the eye and he was gone. Some encounters though are too special and live on in your heart and this was one, but lucky for me I had just one image to remind me of the closest encounter with a wild Otter that I have ever had in my life, amazing.

I stayed, hoping he’d reappear but again it wasn’t meant to be so I moved on to another Otter spot on the island. Whenever home time is looming or your packing up I find the subjects appear from nowhere and in an act of almost defiance they teese you knowing your time is almost up. After a short drive south, there was another dog Otter, and he was cleaning and grooming himself. Again only the briefest of encounters that I captured, but another wonderful moment in the life of a wild Otter.

After lunch on the last day I saw a small bird feeding among the freshwater streams entering the loch, it was one of my favourite birds, the Dipper. It felt good to see them here and very different among the coastal waters of Mull.  The light had gone at the time but you can just see the little fellow below on the sea edge.

During my time on Mull the weather was testing at times, but it also offered a great deal in terms of atmosphere, with the sun constantly battling to break through the dense clouds to warm the land with its rays. In the distance a large bird was sitting on some rocks, appearing to be looking for prey, the wind was strong so the bird seemed happy just to try and sit out the windy weather that would zap his energy should he take flight, it was a beautiful adult Buzzard in amazing conditon.

Slow movements in getting my lens up and out of the window, placing the beanbag down so slowly you didn’t want to look up just in case the bird had flown, in this case he hadn’t.  One shot, two shots, relax and watch, I was saying to myself in my head, as Buzzards are very very shy in nature and one move to many and you’ll never see them again.

He took off, turned around and faced the wind, while jostling the strong winds, all the time looking below himself for food. The engine had been turned off at the first instance, the vehicle was on a slight bank which allowed the handbrake to be taken off and roll forward hoping to keep up with the Buzzard as he went from post to post looking for food.

He heard my camera, as captured above.  It killed me to stop but I did for a few seconds hoping he’d settle and not be disturbed by my presence that was my vehicle with me shooting from the window.  He carried on looking as the vehicle slowly rolled forward, enough to capture him full frame in all his glory with the image below. I couldn’t believe that I was capturing such a jumpy bird, with a clear background, fence line post and looking out to sea. He stayed for a minute or so before flying off, carried along on the wind and out of sight.

Soon after it was time for home and the long drive south once on the mainland. I am always amazed at the wildlife on Mull, the peace, the tranquilness of this place, where just sitting and watching wildlife live their lives around you is truly a wonderful thing to witness and be part of while on this island. Whether it rains or is baked in sunshine the wildlife always gives you the briefest of encounters into their lives, and if you capture them with your camera then thats great, if not they’ll always be in your heart and mind I say.

I run two trips to Mull each year, one in June and the other in October, our base will be the picturesque village of Tobermory, with its brightly painted buildings, overlooking the harbour of Tobermory and facing out to Calve Island and the sound of Mull. We stay in a great hotel overlooking the bay and I have 2 places left on each trip for next year so if you would like more information on them please click here to see my “Magic Of Mull” photo trip.

And before I go, I’m a guest expert in December’s issue of Practical Photography on sale now, a great magazine, full of advice, tips and gear reviews each month. One of my Barn Owl shots along with the tips and how I got the shot are included in this issue, carrying on my passion for showing how I work in the field at the same time helping others to take better photos.